Rostopasca

sâmbătă, 12 aprilie 2014

Zgitzii ma-tii da fluture

Zgitzii ma-tii da fluture (004)

acrilic pe pinza, 145X115 cm, 1998
acrylic on canvas, 145X115 cm, 1998

vineri, 7 martie 2014

Rado, Rado, I wanna back to Colorado

luni, 22 februarie 2010

Trebuie sa plec. Poate ma repet

Trebuie sa plec. Poate ma repet.
Subway Terminal Product – the full stop version.
Mers pe rosu contemporan prin sistemul de valori inversate.
Critic de arta bautor de bere la halba si fumator ca sarpele si ca turcii s-a jmecherit.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

perioada Rostopasca
ulei pe pinza, 120X100 cm, 2000

Gotta be outa here
Subway Terminal Product – the full stop version.
Contemporary jay-walking trough the
inverted value system. Keg-drinking, chain-smoking androgynous art critic get’s wicked.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

Rostopasca time
oil on canvas, 120X100 cm, 2000

Sint zile cind toate becurile sint galbene

Sint zile cind toate becurile sint galbene.
More Gulf Clubbing! – visual product.
Un om cu palarie suparat pa becurile de pe o firma ruginita pe care a crescut glicina distruge toate sursele de lumina cu o crosa de golf.
Vizual vorbind asta inseamna ca o tehnica low-concept este folosita intotdeauna din motive legate de sanatate. Colectionar de arta virtual se materializeaza in fata galeriei sale favorite de pe internet.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

perioada Rostopasca
ulei pe pinza, 120X100 cm, 2001

All the light-bulbs are yellow.
More Gulf Clubbing! – visual product.
A man with a hat destroying all the available light sources with a long, straight tool having a metal ending.
Visually speaking this means that a low-concept technique is always used for health-related reasons. Virtual art collector materializes in front
of his favorite VR Gallery.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

Rostopasca time
oil on canvas, 120X100 cm, 2001

Sint zile cind imi place verde. Si nu e nicaieri

Sint zile cind imi place verde. Si nu e nicaieri.
Tijuana Tourism Board Product.
Zgirie-norii din NY au o sansa la sud de Phoenix, Arizona.
Colectivul de arta Pueblo recupereaza terenul pierdut impotriva dusmanilor de moarte – miscarea Cobra.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

perioada Rostopasca
ulei pe pinza, 120X100 cm, 2001

I do like green but green is sparse these days.
Tijuana Tourism Board Product.
The Big Apple high-rise gets a chance South of Phoenix, Arizona.
The Pueblo art collective recovers lost ground against their mortal enemies – the Cobra movement.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

Rostopasca time
oil on canvas, 120X100 cm, 2001

Sint zile cind toate pisicile sint galbene

Sint zile cind toate pisicile sint galbene.
Golden Roadside Boy Product – good luck charm.
Tiki neo-pagan se roaga pentru tine si familia ta in timp ce vinde ultima editie a ziarului de dimineata local.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

perioada Rostopasca
ulei pe pinza, 120X150 cm, 2002

Yellow Cats rule the city
Golden Roadside Boy Product – good luck charm.
Neo Pagan Tiki prays for you and your family while selling the last edition of the local morning newspaper.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

Rostopasca time
oil on canvas, 120X150 cm, 2002

Sint zile cind nu imi trebuie albastru

Sint zile cind nu imi trebuie albastru.
Dinner Party product – the free bar tour version.
Un mix cu micul dejun pe gratis de pinza post-impresionista bine patrunsa bogat in fibre.
Ultima doza inainte de mistuirea post-globalismului.

Text: Stefan Tiron (din catalogul expozitiei GRAND PRIX REMIX).

perioada Rostopasca
ulei pe pinza, 100X150 cm, 2001

Eating meeting.
Dinner Party product – the free bar tour version.
A free meal of post-impressionist deep fried canvas with high-fiber content.
The last intake before the post-global takeover.

Text: Stefan Tiron (from GRAND PRIX REMIX exhibition catalog).

Rostopasca time
oil on canvas, 100X150 cm, 2001